Production
When Stewie is fantasizing about murdering and harming Lois, he performs several karate and kung-fu moves. This is a reference to an individual whom Mark Hentemann, a writer for Family Guy, used to know. He was the boy who would come to school, car washes or other events and tell stories about the people who he had been in physical fights with. During the scene when Stewie describes Lois as being the female version of Bonnie Hunt, MacFarlane comments that he feels bad about that joke, as just before it was broadcast — Hunt telephoned him on his mobile phone and told him about how much she enjoyed the show, however the gag was not removed due to its expected airing date being so close to when the telephone call was made. On the uncut version of this episode, there is a scene where Peter sleepily mistakes Stewie's mouth for Lois's genitals, muttering, "Oh, you are so ready!" The edited TV version doesn't have this part, but leaves in the first half, in which Peter sleepily mistakes Stewie's nose for Lois's nipple.
For a reason which was not specified, the sound of Lois's footsteps when going down the basement stairs during her dream of killing Stewie, had to be overcome by Stewie talking more often. This line of Stewie making general conversation in the same scene, was altered several times due to lack of laughter from the audience. MacFarlane comments that the scene of Peter standing up to his teacher who was giving the class a test, is a reference to "80's TV bullshit".
In addition to the regular cast, actress Ellen Albertini Dow, voice actors Dave Boat, Phil LaMarr and Kevin Michael Richardson, and actress Anne-Michelle Seiler guest starred in the episode. Recurring guest voice actors Lori Alan, Alex Breckenridge, writer Mike Henry, writer Danny Smith, writer Alec Sulkin and writer John Viener also made minor appearances. Recurring cast members Adam West and Patrick Warburton guest starred in the episode as well.
Read more about this topic: Stewie Loves Lois
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)