Stephen Krashen - Production

Production

  • Krashen, S.D. (1981). Second Language Acquisition and Second Language Learning. Oxford: Pergamon. http://www.sdkrashen.com/SL_Acquisition_and_Learning/SL_Acquisition_and_Learning.pdf.
  • Krashen, S.D. (1982). Principles and Practice in Second Language Acquisition. Oxford: Pergamon. http://www.sdkrashen.com/Principles_and_Practice/Principles_and_Practice.pdf.
  • Krashen, S.D. (1985), The Input Hypothesis: Issues and Implications, New York: Longman
  • Krashen, S.D. (1989), "We Acquire Vocabulary and Spelling by Reading: Additional Evidence for the Input Hypothesis", The Modern Language Journal, 73, pp. 440–464, http://www.jstor.org/stable/326879
  • Krashen, S.D. (1994), "The Comprehension Hypothesis and its Rivals", pp. 9
  • Krashen, S.D. (1996), The case for narrow listening, 24, System, pp. 97–100
  • Mason, B.; Krashen, S. (1997), "Extensive reading in English as a foreign language", System, 25, pp. 91–102, http://www.sciencedirect.com/science/article/B6VCH-3SWV634-9/2/82bb76fdafffab22aaa207064817b630
  • Krashen, S.D. (2003), Explorations in Language Acquisition and Use, Portsmouth: NH: Heinemann., https://www.heinemann.com/shared/onlineresources/E00554/chapter2.pdf
  • Krashen, S.D; Terrell, T.D. (1983). The Natural Approach. New York: Pergamon.
  • McQuillan, J.; Krashen (2008), "Commentary: Can free reading take you all the way? A response to Cobb (2007)", About Language Learning & Technology, 6, pp. 104–109, http://llt.msu.edu/vol12num1/mcquillan/default.html

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Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.
    Gus Hall (b. 1910)

    The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.
    Karl Marx (1818–1883)