Stephanie March - Career

Career

At Northwestern, she played Helena in A Midsummer Night's Dream in Chicago, where she continued to pursue her stage career.

In 1999, March made her Broadway debut in the highly acclaimed production of Arthur Miller's Death of a Salesman, opposite Brian Dennehy. Her other career highlights include roles on the television series Early Edition and in the TV movie Since You’ve Been Gone.

She has also appeared in the Chris Rock comedy Head of State and the Brad Pitt/Angelina Jolie vehicle Mr. & Mrs. Smith. March also appeared in a 2009 story arc on Rescue Me as a psychic.

March posed for Maxim Magazine in 2000 and also performed in the Broadway debut of Eric Bogosian's Talk Radio, starring Liev Schreiber, in 2007. She more recently also starred in Howard Korder's Boy's Life alongside Jason Biggs. She also played Cissy Hathaway in the TV movie Jesse Stone: Night Passage (2006) starring Tom Selleck.

March appeared in the 2009 film The Invention of Lying as the woman Ricky Gervais's character tells the world will end unless she has sex with him.

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Famous quotes containing the word career:

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)

    Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
    Oscar Wilde (1854–1900)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)