Starstruck (comics) - Story

Story

Centuries in the future, Earth's population has been halved by a nuclear war. Humanity has emigrated out into the universe, colonizing worlds and interacting with aliens. Various regimes have held power, most recently The Great Dictator. After his overthrow by revolutionaries, a power struggle rages on between his heirs -the Bajars- and the revolutionary leaders -the Medeas. Mary Medea fakes her death and begins an elaborate plan to eventually take control and stabilize the anarchic era. Disguised as a new player, Queen Glorianna, she orchestrates a web of interconnections to achieve what will one day be called The Great Change. The story follows the various pawns and rivals in the game, in evolving stages of their lives and of the scheme, as they all eventually meet and collide. In particular the story focuses on the backstories of Galatia 9, a freedom-fighter amazon, and Brucilla The Muscle, a good-natured hothead pilot; where they came from, how they meet, and what happens because of it.

Kaluta explained, "As the books progress, the reader gets a slow reveal of the greater energies and alliances by the way they impact the lives of the happy-go-lucky space girls and boys eking out their bits of the big ball of wax."

Read more about this topic:  Starstruck (comics)

Famous quotes containing the word story:

    Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.
    Dorothy H. Cohen (20th century)

    The story is told of a man who, seeing one of the thoroughbred stables for the first time, suddenly removed his hat and said in awed tones, “My Lord! The cathedral of the horse.”
    —For the State of Kentucky, U.S. public relief program (1935-1943)

    The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.
    Ursula K. Le Guin (b. 1929)