Starstruck (comics) - Story

Story

Centuries in the future, Earth's population has been halved by a nuclear war. Humanity has emigrated out into the universe, colonizing worlds and interacting with aliens. Various regimes have held power, most recently The Great Dictator. After his overthrow by revolutionaries, a power struggle rages on between his heirs -the Bajars- and the revolutionary leaders -the Medeas. Mary Medea fakes her death and begins an elaborate plan to eventually take control and stabilize the anarchic era. Disguised as a new player, Queen Glorianna, she orchestrates a web of interconnections to achieve what will one day be called The Great Change. The story follows the various pawns and rivals in the game, in evolving stages of their lives and of the scheme, as they all eventually meet and collide. In particular the story focuses on the backstories of Galatia 9, a freedom-fighter amazon, and Brucilla The Muscle, a good-natured hothead pilot; where they came from, how they meet, and what happens because of it.

Kaluta explained, "As the books progress, the reader gets a slow reveal of the greater energies and alliances by the way they impact the lives of the happy-go-lucky space girls and boys eking out their bits of the big ball of wax."

Read more about this topic:  Starstruck (comics)

Famous quotes containing the word story:

    “If any proof were needed of the progress of the cause for which I have worked, it is here tonight. The presence on the stage of these college women, and in the audience of all those college girls who will some day be the nation’s greatest strength, will tell their own story to the world.”
    —Susan B. Anthony (1820–1906)

    “To recover the fatherhood idea, we must fashion a new cultural story of fatherhood. The moral of today’s story is that fatherhood is superfluous. The moral of the new story must be that fatherhood is essential.”
    —David Blankenhorn (20th century)

    “When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
    —Raymond Chandler (1888–1959)