The Standard Bank Young Artist Awards were started in 1981 by the National Arts Festival to recognise emerging, relatively young South African artists who have demonstrated exceptional ability in their chosen field. These prestigious awards are presented annually to deserving artists in three to four arts disciplines, affording them national exposure and acclaim. Winning artists, as part of their award, are given the opportunity to perform, direct or exhibit on the National Arts Festival’s main programme. Standard Bank became the title sponsor of the awards in 1984 and have presented Young Artist Awards in all the major arts disciplines, as well as posthumous and special recognition awards.
Some 89 artists have been recipients of the awards since their inception in 1981. Previous winners include the likes of Paul Slabolepszy (1983), Andrew Buckland (1986), William Kentridge (1987), Johnny Clegg (1989), Darryl Roodt (1991), Sibongile Khumalo (1993), Vincent Mantsoe (1996), Bongani Ndodana-Breen (1998), Gregory Maqoma (2002), Yael Farber (2003) and many more.
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“There is a certain standard of grace and beauty which consists in a certain relation between our nature, such as it is, weak or strong, and the thing which pleases us. Whatever is formed according to this standard pleases us, be it house, song, discourse, verse, prose, woman, birds, rivers, trees, room, dress, and so on. Whatever is not made according to this standard displeases those who have good taste.”
—Blaise Pascal (1623–1662)
“That strain again, it had a dying fall;
O, it came o’er my ear like the sweet sound
That breathes upon a bank of violets,
Stealing and giving odor. Enough, no more,
‘Tis not so sweet now as it was before.”
—William Shakespeare (1564–1616)
“To study history means submitting to chaos and nevertheless retaining faith in order and meaning. It is a very serious task, young man, and possibly a tragic one.”
—Hermann Hesse (1877–1962)
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)