Squeeze (The Velvet Underground Album) - Composition and Recording

Composition and Recording

In 1971, the Velvet Underground consisted of Doug Yule (vocals, guitar), Willie Alexander (keyboards, vocals), Walter Powers (bass guitar) and Maureen Tucker (drums). This version of the band had toured the United Kingdom and the Netherlands in October and November 1971 to support its latest album, Loaded, which had been written and recorded when Lou Reed was in the band, and which had seen a European release in March 1971. The plan was to record a second and final album for their record company, Atlantic Records, afterwards, but Atlantic had lost faith and decided to issue an archive recording from 1970 featuring Lou Reed, Live at Max's Kansas City, instead.

After the tour, band manager Steve Sesnick managed to get a recording deal with Polydor UK to record a final Velvet Underground album. Alexander, Powers and Tucker were sent back to the United States by Sesnick, however, presumably for him to retain maximum control over the finished product. Thus, although Squeeze was released nominally as a Velvet Underground album, Yule was the only Velvet to actually perform on it. Yule later said, "I don’t think Moe would have been expensive in money, but too costly in terms of 'management', meaning that she didn’t take a lot of bullshit and would have taken a lot of 'handling' on Sesnick's part." Yule also recalled that the album "was done with just me. All the basic tracks were laid down with drums and me. Ian Paice of Deep Purple played the drums. So he and I would lay down a track. How much interplay can you have when all it is is one guitar or a piano? You can hear that, it's kind of dead. I think you get more when you have 3 or 4 people playing together, they feed off each other, they work together and something comes out of it, it's bigger."

The eleven songs that make up Squeeze were written by Yule and recorded with the help of Ian Paice, with additional occasional saxophone and backing singer assistance. They range from Beatles-like whimsy ("Crash") via pop to typical 1970s rock ("Mean Old Man"). Yule later recalled, "I remember sitting on a plane writing extensive notes on the mixing of the album. (...) I sent it to Steve and none of my suggestions were taken, I'm sure he didn't even read it. He mixed it for the best possible commercial success. (...) It's really embarrassing. (...) I gave what I had at the time. There are parts of it I hate and parts I don't. But if I had to do it over again, it would be a completely different album, with different people and have nothing to do with Sesnick."