Spy Film

The spy film genre, which is mainly the subgenre of thriller and action, deals with the subject of fictional espionage, either in a realistic way (such as the adaptations of John Le Carré) or as a basis for fantasy (such as James Bond). Many novels in the spy fiction genre have been adapted as films, including works by John Buchan, Le Carré, Ian Fleming (Bond) and Len Deighton. It is a significant aspect of British cinema, with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions and many films set in the British Secret Service.

Spy films show the espionage activities of government agents and their risk of being discovered by their enemies. From the Nazi espionage thrillers of the 1940s to the 007 films of the '60s and to the high-tech blockbusters of today, the spy film has always been popular with audiences worldwide. Offering a combination of exciting escapism, technological thrills, and exotic locales, the spy film combines the action and science fiction genres, presenting clearly-delineated heroes for audiences to root for and villains for them to hiss.

James Bond is the most famous of movie spies. Bond, in his various incarnations, flippantly beat up on the Russians, but there were also more serious, probing works like The Spy Who Came in from the Cold which also emerged from the Cold War. As the Cold War ended, the newest villain became terrorism and more often involved the Middle East.

Read more about Spy Film:  History, Films, Fantasy-oriented Films and Satire, TV Shows

Famous quotes containing the words spy and/or film:

    Living, just by itself—what a dirge that is! Life is a classroom and Boredom’s the usher, there all the time to spy on you; whatever happens, you’ve got to look as if you were awfully busy all the time doing something that’s terribly exciting—or he’ll come along and nibble your brain.
    Louis-Ferdinand Céline (1894–1961)

    Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
    Their little knowledge bringing them nearer to their ignorance,
    Ignorance bringing them nearer to death,
    But nearness to death no nearer to God.
    Sean O’Casey (1884–1964)