Spike Lee - Film Career

Film Career

Lee's thesis film, Joe's Bed-Stuy Barbershop: We Cut Heads, was the first student film to be showcased in Lincoln Center's New Directors New Films Festival.

In 1985, Lee began work on his first feature film, She's Gotta Have It. With a budget of $175,000, he shot the film in two weeks. When the film was released in 1986, it grossed over $7,000,000 at the U.S. box office.

In mid-1990, Levi's began producing a series of TV commercials directed by Lee for their 501 button fly jeans.

Marketing executives from Nike offered Lee a job directing commercials for the company. They wanted to pair Lee's character, the Michael Jordan-loving Mars Blackmon, and Jordan in a marketing campaign for the Air Jordan line. Later, Lee was called on to comment on the controversy surrounding the inner-city rash of violence involving youths trying to steal Air Jordans from other kids. He said that, rather than blaming manufacturers of apparel that gained popularity, "deal with the conditions that make a kid put so much importance on a pair of sneakers, a jacket and gold". Through the marketing wing of 40 Acres and a Mule, Lee has directed commercials for Converse, Jaguar, Taco Bell and Ben & Jerry's.

Read more about this topic:  Spike Lee

Famous quotes containing the words film and/or career:

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)