Spike
In his very first appearance, Dog Trouble, Spike is the main antagonist, chasing and attacking both Tom and Jerry on sight, even trying to eat Jerry, which forced the two to work together to defeat him. In all subsequent shorts, Spike becomes typecast as the stereotypical dumb brute who is always duped into becoming a shield for Jerry from Tom. It is only in two episodes where Jerry gets Spike out of a jam and the dog willingly protects him from Tom in well-earned gratitude. On most occasions, Jerry causes trouble for Tom by luring him near Spike and harming him to get him angry, and in some cartoons when it's perfectly obvious that Tom is not responsible, as seen in The Invisible Mouse, Spike still blames Tom and hurts him instead of Jerry.
Spike, however, is not without a softer and sympathetic side: in the episode Pet Peeve, after believing that Tom is willing to leave the house in Spike's favour, Spike feels sorry for him to the point that he offers to leave instead, which Spike does until he realises that Tom is only using reverse psychology to trick him into leaving. In The Truce Hurts, Spike is portrayed as a very intelligent and equilibrated character when he convinces Tom and Jerry to stop the fighting among the three of them and sign a Peace Treaty, but their newfound friendship comes to an end when they argue over how to share a big steak, symbolised when Spike tears the truce contract to shreds and they go back to fighting again. From the 1942 cartoon Dog Trouble to 1948 cartoon Heavenly Puss he was voiced by Billy Bletcher. His name also varies in some shorts: in Solid Serenade he is named "Killer", and in The Truce Hurts he signs "Butch" on the treaty paper.
Read more about this topic: Spike And Tyke (characters)
Famous quotes containing the word spike:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“Directors like Satyajit Ray, Rossellini, Bresson, Buñuel, Forman, Scorsese, and Spike Lee have used non-professional actors precisely in order that the people we see on the screen may be scarcely more explained than reality itself. Professionals, except fo the greatest, usually play not just the necessary role, but an explanation of the role.”
—John Berger (b. 1926)