Theatre
At the Butlins family entertainment resorts in the UK a musical called Spider-Man On Stage played in 1999. The show contained music by Henry Marsh and Phil Pickett and a book and lyrics by David H. Bell. The original cast album by Varios Records runs 44 minutes.
In 2002, the company 2MA produced the first live-action Spider-Man stunt show, staged in Jeddah, Saudi Arabia. The same show played at Thorpe Park in Surrey, England in 2003 and 2004. Spider-Man has also made stage appearances in Pantomime at the Birmingham Hippodrome Theatre and the Churchill Theatre, Bromley UK. In 2003 a similar stage show called Spider-Man Live! toured North America.
At Universal Studios Hollywood in Los Angeles, California, a musical stage version (loosely based on the 2002 live-action film) titled Spider-Man Rocks! was produced, combined singing and action stunt sequences. The attraction ran from May 2002 to August 2004, when it was replaced by Fear Factor Live!
A Broadway musical titled Spider-Man: Turn Off the Dark opened at the Foxwoods Theatre in New York on June 14, 2011. The show is directed by Julie Taymor and features music by Bono and The Edge. The production stars Reeve Carney, Jennifer Damiano, T.V. Carpio and Patrick Page. The much-in-news troubled musical, is the most expensive piece of live theatre to date, and features high-flying action sequences and stunts. It holds the record for the most preview performances, with over 180 before its opening.
Read more about this topic: Spider-Man In Other Media
Famous quotes containing the word theatre:
“This visible world is wonderfully to be delighted in, and highly to be esteemed, because it is the theatre of God’s righteous Kingdom.”
—Thomas Traherne (1636–1674)
“... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one’s mind which is not familiar to the mass of persons living at the time.”
—Rebecca West (1892–1983)
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)