Music
Intrada Records released an album of a re-recording by the Slovak Radio Symphony Orchestra of the film's complete score . The album featured music not heard in the finished film.
| Intrada Records Album | |||
|---|---|---|---|
| No. | Title | Length | |
| 1. | "Main Title; Foreward" | 3:13 | |
| 2. | "Green Manors" | 0:51 | |
| 3. | "First Meeting" | 2:11 | |
| 4. | "The Picnic" | 2:01 | |
| 5. | "The Awakening; Love Scene; The Dressing Gown; The Imposter - Parts 1 & 2; The Cigarette Case" | 16:49 | |
| 6. | "The Letter" | 0:30 | |
| 7. | "The Empire Hotel" | 1:22 | |
| 8. | "The Burned Hand - Parts 1 & 2" | 2:29 | |
| 9. | "The Penn Station" | 2:44 | |
| 10. | "Railway Carriage" | 1:16 | |
| 11. | "Honeymoon At Brulov's; The White Coverlet; The Razor - Parts 1 & 2; Constance Is Afraid" | 10:03 | |
| 12. | "Constance And Brulov - Parts 1 & 2" | 4:15 | |
| 13. | "Gambling Dream; Mad Proprietors Dream; Roof-Top Dreams" | 2:37 | |
| 14. | "Dream Interpretation - Parts 1 & 2; The Decision" | 6:10 | |
| 15. | "Train To Gabriel Valley" | 1:23 | |
| 16. | "Ski Run; Mountain Lodge" | 5:51 | |
| 17. | "Defeat" | 3:15 | |
| 18. | "Contance's Discovery" | 2:04 | |
| 19. | "The Revolver" | 3:05 | |
| 20. | "The End" | 0:59 | |
| 21. | "End Title - Short" | 0:24 |
Read more about this topic: Spellbound (1945 film)
Famous quotes containing the word music:
“See where my Love sits in the beds of spices,
Beset all round with camphor, myrrh, and roses,
And interlaced with curious devices
Which her apart from all the world incloses!
There doth she tune her lute for her delight,
And with sweet music makes the ground to move,
Whilst I, poor I, do sit in heavy plight,
Wailing alone my unrespected love;”
—Bartholomew Griffin (d. 1602)
“The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.”
—William Shakespeare (1564–1616)
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)