Spanish Literature - Realism

Main article: Spanish Realist literature

In Realism (end of the 19th century), which is mixed with Naturalism, important topics are the novel, with Juan Valera, José María de Pereda, Benito Pérez Galdós, Emilia Pardo Bazán, Leopoldo Alas (Clarín), Armando Palacio Valdés, and Vicente Blasco Ibáñez; poetry, with Ramón de Campoamor, Gaspar Núñez de Arce, and other poets; the theater, with José Echegaray, Manuel Tamayo y Baus, and other dramatists; and the literary critics, emphasizing Menéndez Pelayo. Realism offered depictions of contemporary life and society 'as they were'. In the spirit of general "Realism," Realist authors opted for depictions of everyday and banal activities and experiences, instead of a romanticized or similarly stylized presentation.

The realistic works of this period are characterized by:

  • Objective vision of reality through the direct observation of customs or psychological characters. They eliminate any subjective aspect, fantastic events, and every feeling that moves away from reality: "The novel is the image of life" (Galdós), "an artistic copy of reality" (Clarín).
  • Defense of a thesis: the narrators write their works approaching reality from their moral conception. They are the so-called omniscient narrators. The defense of a thesis usually compromises the objectivity of the novel.
  • Themes that are familiar to the reader: marital conflicts, infidelity, defense of ideals, etc.
  • The popular and colloquial language acquires great importance since it situates the characters in their real environment.

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Famous quotes containing the word realism:

    Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.
    Julia Marlowe (1866–1950)

    I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.
    Oscar Wilde (1854–1900)