Space Science Fiction Magazine - Contents

Contents

Engel obtained stories from moderately well-known science fiction names for both issues, including John Jakes, Mack Reynolds, Jack Vance, and Raymond F. Jones, but many of the stories were "barrel-scrapings" from the Scott Meredith Literary Agency, in the words of one historian; most had already been rejected at the other active science fiction markets. Space SF also published Arthur C. Clarke's "Critical Mass", one of the popular "White Hart" stories. It had already appeared in a 1949 edition of a British magazine, Lilliput, but Clarke revised it for this publication. Overall, in the words of Mike Ashley, "... carried stories by noted sf writers, they read like rejects from better magazines, and there was nothing of lasting value". Ashley comments that the best story was Jakes's "The Devil Spins a Sun-Dream", which was atmospheric if poorly plotted; the protagonist, a human prospector on Mars, finds a fabulous city, but an ancient booby-trap destroys it before his eyes.

Almost every story was illustrated, with Bruce Minney as artist. Both issues' covers were by Tom Ryan. There were no editorials, review columns, or any other contents other than fiction, and advertisements, all of which were for radio shows, including American Agent and The Frightened.

Read more about this topic:  Space Science Fiction Magazine

Famous quotes containing the word contents:

    How often we must remember the art of the surgeon, which, in replacing the broken bone, contents itself with releasing the parts from false position; they fly into place by the action of the muscles. On this art of nature all our arts rely.
    Ralph Waldo Emerson (1803–1882)

    The permanence of all books is fixed by no effort friendly or hostile, but by their own specific gravity, or the intrinsic importance of their contents to the constant mind of man.
    Ralph Waldo Emerson (1803–1882)

    Yet to speak of the whole world as metaphor
    Is still to stick to the contents of the mind
    And the desire to believe in a metaphor.
    It is to stick to the nicer knowledge of
    Belief, that what it believes in is not true.
    Wallace Stevens (1879–1955)