Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | 84% (DS) 84% (PSP) |
| Review scores | |
| Publication | Score |
| 1UP.com | A- (DS) A-(PSP) |
| Game Informer | 8.25 of 10 (DS) 8.25 of 10 (PSP) |
| GameSpot | 7.5 of 10 (DS) |
| GameTrailers | 9 of 10 |
| IGN | 9 of 10 (DS) 8.5 of 10(PSP) |
The game has enjoyed critical praise since its release. The game is noted for its fast-paced gameplay with IGN claiming the game " energetic and addictive, and does an absolutely fantastic job retaining the old-school charm of the original 1978 classic"; however, IGN scored the PSP version of the game slightly lower due to its lack of online play and score sharing. Gamespot stated that "the gameplay has been improved" over the original. 1UP called the single-player mode "engrossing" and Gamespot later concludes that "Space Invaders Extreme is a very good example of how to update a classic game".
Both versions of Space Invaders Extreme were listed as the best shooter game for their respective consoles by IGN.com. IGN also awarded the DS version as having the best artistic design and best original score, as well as being best shooter for the DS.
Read more about this topic: Space Invaders Extreme
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)