Track Special Edition Listing
| No. | Title | Writer(s) | Producer(s) | Length | |
|---|---|---|---|---|---|
| 1. | "Quién eres tú (Love Will Lead You Back)" | Diane Warren, Nelson Motta, Adap. Karen Guindi | Carlos Gómez | 4:51 | |
| 2. | "El apagón (Radio Edit)" | Manuel Esperón, Cortazar | Javier Lozada | 3:35 | |
| 3. | "Todo mi corazón" | Ilan Chester | Ary Sperling | 5:12 | |
| 4. | "Sabes lo que pasa" | Mariano Pérez | Javier Lozada | 3:57 | |
| 5. | "Un romance" | Maurizio Fabrizio, Ronaldo Bastos, Adap. R. M. Girón | Graham Presket | 4:32 | |
| 6. | "Llévame a tu casa" | Alejandro Jean | Bob Painter | 5:25 | |
| 7. | "Cosas del amor" | Jesús Monarrez | Carlos Gómez | 3:22 | |
| 8. | "Carnaval de Oriente" | Hermanos Matamoros | Javier Lozada | 4:20 | |
| 9. | "Soy libre" | Mariano Pérez | Javier Lozada | 4:25 | |
| 10. | "Olas que vienen" | Botaminio Felipe | Ary Sperling | 3:25 | |
| 11. | "No llores más corazón" | Alejandro Jean | Carlos Gómez | 4:15 | |
| 12. | "Cuerpo de Mujer" | Mariano Pérez | Javier Lozada | 3:53 | |
| 13. | "El apagón (Dance Mix)" | Manuel Esperón, Cortazar | Javier Lozada | 5:25 | |
| 14. | "Sabes lo que pasa (Remix)" | Mariano Pérez | Javier Lozada | 6:50 |
Read more about this topic: Soy Libre
Famous quotes containing the words track, special and/or edition:
“It is remarkable how easily and insensibly we fall into a particular route, and make a beaten track for ourselves. I had not lived there a week before my feet wore a path from my door to the pond-side; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear, that others may have fallen into it, and so helped to keep it open.”
—Henry David Thoreau (1817–1862)
“For universal love is as special an aspect as carnal love or any of the other kinds: all forms of mental and spiritual activity must be practiced and encouraged equally if the whole affair is to prosper. There is no cutting corners where the life of the soul is concerned....”
—John Ashbery (b. 1927)
“I knew a gentleman who was so good a manager of his time that he would not even lose that small portion of it which the calls of nature obliged him to pass in the necessary-house, but gradually went through all the Latin poets in those moments. He bought, for example, a common edition of Horace, of which he tore off gradually a couple of pages, read them first, and then sent them down as a sacrifice to Cloacina: this was so much time fairly gained.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)