Classical Music of The USSR
Classical music of the Soviet Union developed from the music of the Russian Empire. It gradually evolved from the eccentric experiments of the revolutionary era, such as orchestras with no conductors, towards classicism favored under Joseph Stalin's office. The Union of Soviet Composers was established in 1932, and became the major regulatory body in Russia's music. Later in the 1930s, Joseph Stalin enacted more boundaries for music, which was then further limited in content and innovation. Classicism was favoured, and experimentation was discouraged. For example, Shostakovich's veristic opera Lady Macbeth of the Mtsensk District was denounced in Pravda newspaper as "formalism" and soon removed from theatres for years.
The music patriarchs of the era were Prokofiev, Shostakovich and Aram Khachaturian. With time, a wave of younger Soviet composers, including Georgy Sviridov, Tikhon Khrennikov, Alfred Schnittke managed to break through.
Many musicians from the Soviet era have established themselves as world's leading artists: violinists David Oistrakh, Leonid Kogan, Gidon Kremer, Viktor Tretyakov and Oleg Kagan; cellists Mstislav Rostropovich, Daniel Schafran, and Natalia Gutman; violist Yuri Bashmet; pianists Sviatoslav Richter, Emil Gilels and many other musicians.
Read more about this topic: Soviet Music
Famous quotes containing the words classical and/or music:
“Classical art, in a word, stands for form; romantic art for content. The romantic artist expects people to ask, What has he got to say? The classical artist expects them to ask, How does he say it?”
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