Southern Musical Convention

The Southern Musical Convention was the first Sacred Harp musical convention, organized by B. F. White and others in 1845. It was formed at Huntersville in Upson County, Georgia.

From its founding until 1867, White's The Sacred Harp was the "textbook" of the convention. After that it adopted a policy of using other song books and began to slowly drop out of significant influence in the history of Sacred Harp. The Southern Musical Convention, under White's leadership, sponsored three revisions of the Sacred Harp (1850, 1859, 1869). The 1849-1850 committee consisted of B. F. White, Leonard P. Breedlove, E. L. King, Joel King, R. F. M. Mann, A. Ogletree, S. R. Pennick and J. R. Turner. The second revision committee of the Sacred Harp in 1858-1859 consisted of B. F. White, R. F. Ball, J. T. Edmunds, A. Ogletree, E. T. Pound, J. P Reese, T. Waller, and A. S. Webster. The Southern Musical Convention selected White, Edmund Dumas, R. F. M. Mann, Absalom Ogletree and Marion Patrick as the committee to revise the Sacred Harp in 1869-1870.

Not only did the convention provide a gathering for vocal musicians, but also created an authoritative body to approve of teachers for singing schools. In January 1852, the Convention authorized a newspaper, The Organ, which was published at Hamilton, Georgia. B. F. White was "Superintendent" of the publication.

The Southern Musical Convention supplied the pattern for many subsequent Sacred Harp musical organizations, including the two oldest existing Sacred Harp Conventions - the Chattahoochee Musical Convention and the East Texas Musical Convention.

Famous quotes containing the words southern, musical and/or convention:

    I prefer to make no new declarations [on southern policy beyond what was in the Letter of Acceptance]. But you may say, if you deem it advisable, that you know that I will stand by the friendly and encouraging words of that Letter, and by all that they imply. You cannot express that too strongly.
    Rutherford Birchard Hayes (1822–1893)

    Syncopations are no indication of light or trashy music, and to shy bricks at “hateful ragtime” no longer passes for musical culture.
    Scott Joplin (1868–1917)

    No good poetry is ever written in a manner twenty years old, for to write in such a manner shows conclusively that the writer thinks from books, convention and cliché, not from real life.
    Ezra Pound (1885–1972)