Architecture
The South Station head house and wings incorporate Neoclassical architecture. The building’s symmetry and stone façade are common to the style. The granite came from nearby quarries in New England. The main doorways are located in a section that protrudes from the curving shape of the building. The doors are housed under tall arches that give the impression of grandeur while also making the building appear smaller from far away. This visual trick is common in classical buildings and is further amplified by the over-sized windows and large balustrade on the third floor and roof. Above the doorways are classical Ionic order columns that ostensibly hold up the frieze and pediment. Uncommon for Ionic order columns is the lack of Fluting (architecture), which is usually used to draw the eye upward, increasing the grandeur of the facade. The numerous projections and recessions on the façade attribute to the planar quality of the building, while also creating interesting shading and lighting patterns on the stone and within the building.
Inside, a coiffered ceiling adorns the terminal and protects travelers from the rain and snow.
Constructed over one hundred years ago, the clock on top of the main head house is the largest remaining hand-wound clock mechanism in New England. The clock is styled after London’s Big Ben and has a 12-foot wide face. The mechanism weighs over 400 pounds. In 2008, the clock underwent a six-week restoration and repair. The clock mechanism was completely disassembled and transported to a nearby workshop where pieces had to be fabricated by hand. The clock, once one of many in the city, is a hallmark of a bygone era—something that commuters rely on to make their trains, and visitors admire for its historical presence. The eagle that sits atop the clock is eight feet wide and weighs over eight tons. The eagle imitates the figurines commonly placed atop classically styled buildings.
The curved shape of the building pushes its presence into the surrounding area, making it much more prominent. This also gives the building a more distinctive and accessible main entrance from Atlantic Avenue, Summer Street, and Dewey Square. A similar concept is also seen in the Santa Maria della Pace in Rome, Italy. This church didn’t influence South Station, but the designs clearly share the same effects on the immediate area.
In the 1980s, with South Station in disrepair, a great effort began to revitalize the station using Federal funding. The revitalization included two wings that extend from each side of the head house, constructed with granite from the same quarries to provide a consistent appearance. Renovation and expansion was completed in 1989, reinvigorating the area with a vital transportation link and a strong focal point. Office buildings began rising nearby, expanding the downtown area. With the completion of the Big Dig and the Rose Kennedy Greenway, South Station has become an even more important feature in the area. The Greenway provides a pedestrian-friendly connection between South Station and North Station.
Read more about this topic: South Station
Famous quotes containing the word architecture:
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
“In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.”
—Dan Cruickshank (b. 1949)
“Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider, and should be wise in season and not fetter himself with duties which will embitter his days and spoil him for his proper work.”
—Ralph Waldo Emerson (1803–1882)