Sophie Scholl - Origins of The White Rose

Origins of The White Rose

Based upon letters between her and her boyfriend, Fritz Hartnagel (reported and analyzed by Gunter Biemer and Jakob Knab in the journal, Newman Studien) she had given two volumes of Cardinal John Henry Newman's sermons to Hartnagel when he was deployed to the eastern front in May 1942. This discovery by Jakob Knab shows the importance of religion in Scholl's life and was highlighted in an article in the Catholic Herald in the UK and by Scholl biographer Frank McDonough, who commented on BBC Radio Merseyside, "Knab's discovery is very important as it has highlighted how important her religious faith was in her life and as a key factor in her decision to oppose the Nazi regime." Though she was Lutheran, the White Rose was founded after Scholl and others read a stern anti-Nazi sermon by Cardinal Clemens August Graf von Galen (the "Lion of Münster"), the Roman Catholic Bishop of Münster.

She and they had been horrified by Hartnagel's reports of the behavior of the Germans on the Eastern Front where Hartnagel witnessed Soviet soldiers shot in a pit, and learned of the mass killings of Jews. Her correspondence with Hartnagel deeply discussed the "theology of conscience" developed in Newman's writings. This is seen as her primary defense in her transcribed interrogations leading to her "trial" and execution. Those transcripts became the basis for a 2005 film treatment of her final days, Sophie Scholl – The Final Days.

Read more about this topic:  Sophie Scholl

Famous quotes containing the words origins of, origins, white and/or rose:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    The Enormous Room seems to me to be the book that has nearest approached the mood of reckless adventure in which men will reach the white heat of imagination needed to fuse the soggy disjointed complexity of the industrial life about us into seething fluid of creation. There can be no more playing safe.
    John Dos Passos (1896–1970)

    What we call spring here is one rose and two buds that just grew in the cloister garden. That is enough to move the men of my country. But their heart resembles that miserly rose. A more powerful breath would wilt them, they have the spring that they deserve.
    Albert Camus (1913–1960)