Sonata Da Camera

Sonata da camera is literally translated to mean 'chamber sonata' and is used to describe a group of instrumental pieces set into three or four different movements, beginning with a prelude, or small sonata, acting as an introduction for the following movements.

The term sonata da camera originated from Rome in the late 17th century from when Arcangelo Corelli wrote two different variations of sonata. These became known as "sonata da camera" and "sonata da chiesa". In the Oxford History of Western Music, Richard Taruskin describes a sonata da camera as "... essentially a dance suite, which Corelli adapted to the prevailing four-movement format (a 'preludio' and three dances or connecting movements)." The following dance style movements were usually given names referring to the style, e.g., partita, suite, ordre, ouverture and air (as in English reprints of Corelli's chamber sonatas). The most frequent instrumentation in sonata da camera was two violins and a bass. Most harmonies were completed in the bass part whilst the two treble instruments played above. This was also known as a trio sonata, as this consisted of three major parts. But sometimes, a fourth player (usually a cellist) was required to double on the basso continuo line.


Famous quotes containing the word camera:

    When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
    —D.H. (David Herbert)