Plot
Lakshmi is a thirteen-year-old girl who lives with her family in a small hut in the mountains of Nepal. Her family is desperately poor, but her life is full of simple pleasures, like raising her black-and-white speckled goat, and having her mother brush her hair by the light of an oil lamp. But when the harsh Himalayan monsoons wash away all that remains of the family’s crops, Lakshmi’s stepfather says she must leave home and take a job to support her family.
He introduces her to a charming stranger who tells her she will find her a job as a maid working for a wealthy woman in the city. Glad to be able to help, Lakshmi undertakes the long journey to India and arrives at “Happiness House” full of hope. But she soon learns the horrible truth: she has been sold into prostitution.
An old woman named Mumtaz rules the brothel with cruelty and cunning. She tells Lakshmi that she is trapped there until she can pay off her family’s debt – then cheats Lakshmi of her meager earnings so that she can never leave.
Lakshmi’s life becomes a nightmare from which she cannot escape. Still, she lives by her mother’s words – “Simply to endure is to triumph” – and gradually, she forms friendships with the other girls that enable her to survive in this terrifying new life. She also teaches herself to read and speak in English through listening the conversations of people around her and books she manages to take.
Eventually, Lakshmi meets an American man, who arrives and disguises himself as a client to gather the evidence he needs to persecute Mumtaz and her associates. Mumtaz is ultimately arrested, thus freeing Lakshmi and the other girls.
Read more about this topic: Sold (novel)
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)