Imagery and Content
The name Sol Invictus, which is Latin for 'the unconquered Sun', derives from the Roman cult of the same name.
The band's imagery and lyrical content, in its early days, was influenced by traditionalism and antipathy towards the modern world and materialism. A superficial interest was the Italian philosopher Julius Evola who Wakeford admits to "shamelessly stealing from" for song titles even though he found his books "unreadable". A more serious influence was the poet Ezra Pound: "I think Pound is one of the greatest poets ever, although some of his work is mind-numbingly obscure. I disagree with his antisemitism but that should not blind people to his worth as an artist."
The band also had considerable interest in heathen and Mithraist themes, often reflecting an explicit antipathy to Christianity: the 1997 album The Blade incorporates an Odinic chant, Gealdor, into its varied laments. Wakeford tended to write from a melancholic position of doomed Romanticism, which lamented the loss of beauty, love, and culture. He saw the American influence on global culture as very damaging to Europe, something he expresses with black humour in the song "Death of the West", from the album of the same name. The later albums have seen a turn to a more personal writing style, as interest in what Wakeford calls "knee-jerk anti-Americanism and anti-Christianity" has been rejected.
Sol Invictus album artwork has often showcased the expressionist paintings of American artist, musician and friend Tor Lundvall.
Read more about this topic: Sol Invictus (band)
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