Socialist Roots Hi-Fi was a prominent Jamaican reggae sound system and record label owned by Tony Welch (aka Papa Roots) in the 1970s and early 1980s. It was originally named King Attorney (and before that Soul Attorney). The name changed in 1976 when Welch bought the set. Regular deejays included Ranking Trevor, U Brown, Jah Mikey and Nicodemus, alongside the regular selector Danny Dreadlocks. They received dub cuts from Bob Marley & The Wailers. After 1981, the group was known as Papa Roots Hi-Fi.
The sound system was strongly aligned with the Jamaican Peoples National Party and was instrumental in organizing local communities and attempting to promote peace at a time when Jamaica was racked by political violence. Socialist Roots record label released several records. The most successful was "Train to Zion", released in 1976, featuring U Brown and Linval Thompson. The peace song was one of the first 12" 45s issued in Jamaica.
Famous quotes containing the words socialist, roots, sound and/or system:
“Men conceive themselves as morally superior to those with whom they differ in opinion. A Socialist who thinks that the opinions of Mr. Gladstone on Socialism are unsound and his own sound, is within his rights; but a Socialist who thinks that his opinions are virtuous and Mr. Gladstones vicious, violates the first rule of morals and manners in a Democratic country; namely, that you must not treat your political opponent as a moral delinquent.”
—George Bernard Shaw (18561950)
“The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But Ive no spade to follow men like them.”
—Seamus Heaney (b. 1939)
“But one sound always rose above the clamor of busy life and, no matter how much of a tintinnabulation, was never confused and, for a moment lifted everything into an ordered sphere: that of the bells.”
—Johan Huizinga (18721945)
“The violent illiteracies of the graffiti, the clenched silence of the adolescent, the nonsense cries from the stage-happening, are resolutely strategic. The insurgent and the freak-out have broken off discourse with a cultural system which they despise as a cruel, antiquated fraud. They will not bandy words with it. Accept, even momentarily, the conventions of literate linguistic exchange, and you are caught in the net of the old values, of the grammars that can condescend or enslave.”
—George Steiner (b. 1929)