Socialist Roots Hi-Fi was a prominent Jamaican reggae sound system and record label owned by Tony Welch (aka Papa Roots) in the 1970s and early 1980s. It was originally named King Attorney (and before that Soul Attorney). The name changed in 1976 when Welch bought the set. Regular deejays included Ranking Trevor, U Brown, Jah Mikey and Nicodemus, alongside the regular selector Danny Dreadlocks. They received dub cuts from Bob Marley & The Wailers. After 1981, the group was known as Papa Roots Hi-Fi.
The sound system was strongly aligned with the Jamaican Peoples National Party and was instrumental in organizing local communities and attempting to promote peace at a time when Jamaica was racked by political violence. Socialist Roots record label released several records. The most successful was "Train to Zion", released in 1976, featuring U Brown and Linval Thompson. The peace song was one of the first 12" 45s issued in Jamaica.
Famous quotes containing the words socialist, roots, sound and/or system:
“Men conceive themselves as morally superior to those with whom they differ in opinion. A Socialist who thinks that the opinions of Mr. Gladstone on Socialism are unsound and his own sound, is within his rights; but a Socialist who thinks that his opinions are virtuous and Mr. Gladstone’s vicious, violates the first rule of morals and manners in a Democratic country; namely, that you must not treat your political opponent as a moral delinquent.”
—George Bernard Shaw (1856–1950)
“You know, honey, us colored folks is branches without roots and that makes things come round in queer ways.”
—Zora Neale Hurston (1891–1960)
“But those rare souls whose spirit gets magically into the hearts of men, leave behind them something more real and warmly personal than bodily presence, an ineffable and eternal thing. It is everlasting life touching us as something more than a vague, recondite concept. The sound of a great name dies like an echo; the splendor of fame fades into nothing; but the grace of a fine spirit pervades the places through which it has passed, like the haunting loveliness of mignonette.”
—James Thurber (1894–1961)
“The individual protests against the world, but he doesn’t get beyond protest, he is just a single protester. When he wants to be more than that, he has to counter power with power, he has to oppose the system with another system.”
—Friedrich Dürrenmatt (1921–1990)