Social Order

Social order is a concept used in sociology, history and other social sciences that refers to a set of linked social structures, social institutions and social practices which conserve, maintain and enforce "normal" ways of relating and behaving.

A "social order" is a relatively persistent system of institutions, patterns of interactions and customs, capable of continually reproducing at least those conditions essential for its own existence. The concept refers to all those facts of society which remain relatively constant over time. These conditions could include both property, exchange and power relations, but also cultural forms, communication relations and ideological systems of values.

Social order as discussed in this article primarily refers to these structures and not to "order in society" with which it should not be confused. In this way, a society might be chaotic and dysfunctional but there is still a social order in a sheer sociological sense.

Read more about Social Order:  Sociology, Principle of Extensiveness, Groups and Networks, Status Groups, Values and Norms, Power and Authority, Spontaneous Order, Social Honor, Attainment of Social Order

Famous quotes containing the words social order, social and/or order:

    The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.
    John Fiske (b. 1939)

    The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.
    John Fiske (b. 1939)

    It is conceivable at least that a late generation, such as we presumably are, has particular need of the sketch, in order not to be strangled to death by inherited conceptions which preclude new births.... The sketch has direction, but no ending; the sketch as reflection of a view of life that is no longer conclusive, or is not yet conclusive.
    Max Frisch (1911–1991)