Slavery in Ancient Greece - Origins of Slavery

Origins of Slavery

Slaves were present through the Mycenaean civilization. In the tablets from Pylos 140 do-e-ro can be identified with certainty. Two legal categories can be distinguished: "common" slaves and "slaves of the god" (te-o-jo do-e-ro / θεοιο), the God in this case probably being Poseidon. Slaves of the god are always mentioned by name and own their own land; their legal status is close to that of freemen. The nature and origin of their bond to the divinity is unclear. The names of common slaves show that some of them came from Kythera, Chios, Lemnos or Halicarnassus, and were probably enslaved as a result of piracy. The tablets indicate that unions between slaves and non-slaves were not uncommon and that slaves could be independent artisans and retain plots of land. It appears that the major division in Mycenaean civilization was not between slave and free, but between those attached to the palace and those not.

There is no continuity between the Mycenaean era and the time of Homer, where social structures reflected those of the Greek dark ages. The terminology differs: the slave is no longer do-e-ro (doulos) but dmôs. In the Iliad, slaves are mainly women taken as booty of war, while men were either ransomed or killed on the battlefield. In the Odyssey, the slaves also seem to be mostly women. These slaves were servants and sometimes concubines. There were some male slaves, especially in the Odyssey, a prime example being the swineherd Eumaeus. The slave was distinctive in being a member of the core part of the oikos ("family unit", "household"): Laertes eats and drinks with his servants; in the winter, he sleeps in their company. The term dmôs is not considered pejorative, and Eumaeus, the "divine" swineherd, benefits from the same Homeric epithet as the Greek heroes. In spite of this, slavery remained a disgrace. Eumaeus himself declares that "Zeus, of the far-borne voice, takes away the half of a man's virtue, when the day of slavery comes upon him."

It is difficult to determine when slave trading began in the archaic period. In Works and Days (8th century BC), Hesiod owns numerous dmôes, although their status is unclear. The presence of douloi is confirmed by lyric poets such as Archilochus or Theognis of Megara. According to epigraphic evidence, the homicide law of Draco (c. 620 BC) mentioned slaves. According to Plutarch, Solon (c. 594-593 BC) forbade slaves from practising gymnastics and pederasty. By the end of the period, references become more common. Slavery becomes prevalent at the very moment when Solon establishes the basis for Athenian democracy. Classical scholar Moses Finley likewise remarks that Chios, which, according to Theopompus, was the first city to organize a slave trade, also enjoyed an early democratic process (in the 6th century BC). He concludes that "one aspect of Greek history, in short, is the advance hand in hand, of freedom and slavery."

Read more about this topic:  Slavery In Ancient Greece

Famous quotes containing the words origins of, origins and/or slavery:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Grown onto every inch of plate, except
    Where the hinges let it move, were living things,
    Barnacles, mussels, water weeds—and one
    Blue bit of polished glass, glued there by time:
    The origins of art.
    Howard Moss (b. 1922)

    I foresee the time when the painter will paint that scene, no longer going to Rome for a subject; the poet will sing it; the historian record it; and, with the Landing of the Pilgrims and the Declaration of Independence, it will be the ornament of some future national gallery, when at least the present form of slavery shall be no more here. We shall then be at liberty to weep for Captain Brown. Then, and not till then, we will take our revenge.
    Henry David Thoreau (1817–1862)