Reception
The game was well liked with players on both the computer and console sides, and inspired a winterized sequel in Ski or Die in 1989 for the C64, Amiga, Atari ST, PC and NES, and a true sequel, Skate or Die 2 in 1990, a NES-only game. Ski or Die retained the multi-event format while Skate or Die 2 veered into "adventure" territory; both games featured Rodney and Lester as key players.
The C64 version of Skate or Die! was also well liked for its introductory music, a highly catchy rock-flavored tune with digital samples that took full advantage of all of the SID chip's capabilities. Composed by Rob Hubbard, one of the world's foremost game music composers, it has become a popular tune among modern fans of SID music and remixers of such tunes. For the NES port, Konami produced an arranged version of the tune for the NES's Ricoh 2A03 sound chip.
The game was reviewed in 1988 in Dragon #132 by Hartley, Patricia, and Kirk Lesser in "The Role of Computers" column. The reviewers gave the game 2 out of 5 stars.
Read more about this topic: Skate Or Die!
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)