Skagen Painters - Gallery of Paintings

Gallery of Paintings

The gallery below presents a number of paintings by the Skagen artists, roughly in chronological order.

  • Portside, Christian Krohg, 1879

  • Will he round the point?, Michael Ancher, ca. 1880

  • The Sick Girl, Michael Ancher, 1882

  • Artists' Luncheon at Skagen, P.S. Krøyer, 1883

  • Oscar Björck, Signal of Distress (1883)

  • Sleeping Boy, Johan Krouthén, 1883

  • Båden sættes i søen, Oscar Björck, 1885

  • Et l'hombre-parti, Anna Palm de Rosa, 1885

  • A Christening, Michael Ancher, 1888

  • Two Fishermen, Michael Ancher, 1889

  • Skagen fisherman, Michael Ancher

  • Sewing fisherman's wife, Anna Ancher, 1890

  • Sunlight in the blue room, Anna Ancher, 1891

  • Summer Evening on the Skagen Southern Beach, P.S. Krøyer, 1893

  • The Beach of Skagen, Thorvald Niss, ca. 1989

  • Self-portrait, P.S. Krøyer, 1897

  • Summer evening on Skagen's beach, P.S. Krøyer, 1899

  • Interior with poppies and reading woman (Lizzy Hohlenberg), Anna Ancher, 1905

  • Midsummer's Eve Bonfire on Skagen's Beach, P.S. Krøyer, 1906

  • Boats on Sønderstrand in Skagen, Viggo Johansen, 1910

Read more about this topic:  Skagen Painters

Famous quotes containing the words gallery of, gallery and/or paintings:

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
    Herman Melville (1819–1891)

    I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
    Lewis H. Lapham (b. 1935)

    The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.
    Jean Szarkowski (b. 1925)