Musical Influence
A number of musicians, ranging from Elvis Presley and Jerry Lee Lewis to Isaac Hayes and Aretha Franklin, have identified her singing, guitar playing and showmanship as an important influence on them. Little Richard referred to the stomping, shouting gospel music legend as his favorite singer when he was a child. In 1945, she heard Richard sing prior to her concert at the Macon City Auditorium and later invited him on stage to sing with her. Following the show, she paid him for his performance. Johnny Cash also referred to Tharpe as his favorite singer when he was a child when he gave his induction speech at the Rock n Roll Hall of Fame. His daughter Rosanne similarly stated in an interview with Larry King that Tharpe was her father's favorite singer. She was held in particularly high esteem by UK jazz/blues singer George Melly. Even today, artists such as Sean Michel have credited her influence with the performance of gospel songs in more secular venues.
Brixton band Alabama 3 (of Sopranos theme fame) named a track after Sister Rosetta on their debut album Exile on Coldharbour Lane (1997), as well as recording a version of her song Up Above My Head. In 2007, UK indie rock band The Noisettes released the single "Sister Rosetta (Capture the Spirit)" from their album What's the Time Mr. Wolf? Also in 2007, singers Alison Krauss and Robert Plant recorded a duet version of the song "Sister Rosetta Goes Before Us", written by Sam Phillips. Phillips released her version of the song on her 2008 album, Don't Do Anything. Michelle Shocked opened her live gospel album ToHeavenURide (2007) with "Strange Things Happening Every Day", along with a tribute to Tharpe.
In 2001, the award-winning French film Amélie included a scene showing the protagonist's house-bound neighbor mesmerized by a montage of video clips which featured a performance of "Up Above My Head" by Tharpe.
Read more about this topic: Sister Rosetta Tharpe
Famous quotes containing the words musical and/or influence:
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—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.”
—Percy Bysshe Shelley (1792–1822)