Frame
The tale is one of two told by the fictive Chaucer, along with the Tale of Melibee, who figures as one of the pilgrims who are on a journey to the shrine of Thomas Becket in Canterbury Cathedral. The pilgrims are involved in a story-telling contest on the behest of the Host (Middle English: Hooste), Harry Bailly, the winner of which will receive a free meal at The Tabard Inn on their return.
Sir Thopas comes after the Prioress's Tale, a poem which is exemplary of the miracle of the Virgin genre and which tells the story of a child martyr killed by Jews. Seemingly wishing to counter the sombre mood that this tale instills in the pilgrims, the Host hails Chaucer and suggests that he: "Telle us a tale of myrth, and that anon" (line 706). Chaucer admits to having no tales to tell other than a "rym lerned longe agoon" (line 709), and on the acceptance of the Host proceeds to tell the "Tale of Thopas".
Chaucer's portrait of himself is unflattering and humble. He presents himself as a reticent, maladroit figure who can barely summon a tale to mind. In comparison to the other travelers in the group, Chaucer the character is reluctant to speak, but when he does tell a tale, it is a rather frivolous burlesque very different from what went before.
Read more about this topic: Sir Thopas
Famous quotes containing the word frame:
“It would be nice to travel if you knew where you were going and where you would live at the end or do we ever know, do we ever live where we live, we’re always in other places, lost, like sheep.”
—Janet Frame (b. 1924)
“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness, to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”
—Ralph Waldo Emerson (1803–1882)
“A set of ideas, a point of view, a frame of reference is in space only an intersection, the state of affairs at some given moment in the consciousness of one man or many men, but in time it has evolving form, virtually organic extension. In time ideas can be thought of as sprouting, growing, maturing, bringing forth seed and dying like plants.”
—John Dos Passos (1896–1970)