Production
In the famous dance routine in which Gene Kelly sings the title song while twirling an umbrella, splashing through puddles and getting soaked to the skin, Kelly was sick with a 103 °F (39 °C) fever. The rain in the scene caused Kelly's wool suit to shrink during filming. A common myth is that Kelly managed to perform the entire song in one take, thanks to cameras placed at predetermined locations. However this was not the case as the filming of the sequence took place over 2–3 days. Another myth is that the rain was mixed with milk in order for the drops to show up on camera, but the shots were simply lit from the front.
Debbie Reynolds was not a dancer at the time she made Singin' in the Rain; her background was as a gymnast. Kelly apparently insulted her for her lack of dance experience, upsetting her. In a subsequent encounter when Fred Astaire was in the studio, he found Reynolds crying under a piano. Hearing what had happened, Astaire volunteered to help her with her dancing. Kelly later admitted that he had not been kind to Reynolds and was surprised that she was still willing to talk to him afterwards. After shooting the "Good Morning" routine, Reynolds' feet were bleeding. Years later, she was quoted as saying that "Singin' in the Rain and childbirth were the two hardest things I ever had to do in my life."
Donald O'Connor had to be hospitalized after filming the "Make 'em Laugh" sequence. He smoked up to four packs of cigarettes a day.
Most of the costumes from this film were eventually acquired by Debbie Reynolds and housed in her massive collection of original film costumes, sets and props. Many of these items were sold at a 2011 auction in Hollywood. While most items were sold to private collectors, Donald O'Connor's green check "Fit As a Fiddle" suit and shoes were purchased by Costume World, Inc. and are now on permanent display at the Costume World Broadway Collection Museum in Pompano Beach, Florida.
Read more about this topic: Singin' In The Rain
Famous quotes containing the word production:
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)