Composers' Approach
Because the film is based on different comic book stories (written by Frank Miller), each composer was assigned to score a different story. Revell scored the music to The Hard Goodbye (Rodriguez co-scored for tracks four, six and eight); Debney scored The Big Fat Kill (Rodriguez co-scored tracks eleven and twelve); Rodriguez scored That Yellow Bastard as well as the opening credits sequence and the first track in the end credits.
Read more about this topic: Sin City (soundtrack)
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“This is an approach to that universal language which men have sought in vain.”
—Henry David Thoreau (1817–1862)