Critical Reception
Silver City had its world premiere at the Cannes Film Market during the Cannes Film Festival. Critics noted the similarities between the fictitious Dicky Pilager and the real George W. Bush, with some also seeing parallels between the fictitious campaign manager and the real Karl Rove.
Roger Ebert praised the film but said it likely wouldn't change any votes in the 2004 election: "America is familiar with the way talks, and about half of us are comfortable with it. That's why Silver City may not change any votes. There is nothing in the movie's portrait of Pilager/Bush that has not already been absorbed and discounted by the electorate."
Ruthe Stein called the film "wildly uneven" with "dull" stretches: " . . but the movie comes alive when Cooper is in it, especially his scenes with Richard Dreyfuss as Dickie's savvy campaign manager."
Caryn James called the film's script and direction "exhilarating", characterizing the film as "a Bush-bashing work that is more than Bush-bashing" which "goes beyond election-year satire to reach broader themes of corporate power, campaign double talk and journalistic responsibility." He also called the film a "detective story with a half-dozen major characters and a twisty Chinatown plot that begins when the environmentally hostile Dickie is filming an environmentally friendly campaign ad and fishes a corpse out of a river."
The review aggregator Rotten Tomatoes reported that 46% of critics gave the film a positive review, based on 124 reviews.
Read more about this topic: Silver City (2004 Film)
Famous quotes containing the words critical and/or reception:
“His misfortune was that he loved youth—he was weak to it, it kindled him. If there was one eager eye, one doubting, critical mind, one lively curiosity in a whole lecture-room full of commonplace boys and girls, he was its servant. That ardour could command him. It hadn’t worn out with years, this responsiveness, any more than the magnetic currents wear out; it had nothing to do with Time.”
—Willa Cather (1873–1947)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)