The Silk Road Rising is a production unit located in Downtown Chicago which presents plays written by individuals of Asian and Arab descent. They were previously known as Silk Road Theatre Project. "The name change was brought on by a revision of their mission statement to include online video plays in addition to their live theatre.
The professional theatre is located in the modern basement of the Chicago Temple Building, 77 Washington Street, directly across from the Richard J. Daley Center.
The Project is unaffiliated with the Methodist Church above and maintains a secular relationship.
Silk Road Rising's 2011 production of Scorched received three Jeff Awards including Actress in a Supporting Role, Lighting Design and Sound Design.
In 2013, Silk Road Rising received Chicago Sinfonietta's Chairperson's Award for Diversity and Inclusion.
Famous quotes containing the words silk, road, theatre and/or project:
“Like a skein of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piecemeal
of a sort of emotional anemia.”
—Ezra Pound (1885–1972)
“Telephone poles were matchsticks, put there to be snapped off at a whim. Dogs trotting across the road were suddenly big trucks. Old ladies turned into moving—vans. Everything was too bright, but very funny and made for my delight. And about half a mile from my long liquid breakfast I turned carefully down a side street and parked, and sat beaming happily through the tannic fog for about an hour, remembering how witty we all had been, how handsome and talented ... [ellipsis in original]”
—M.F.K. Fisher (1908–1992)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (1879–1955)
“Indigenous to Minnesota, and almost completely ignored by its people, are the stark, unornamented, functional clusters of concrete—Minnesota’s grain elevators. These may be said to express unconsciously all the principles of modernism, being built for use only, with little regard for the tenets of esthetic design.”
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)