Career
In 1937 Sheldon moved to Hollywood, California, where he reviewed scripts and collaborated on a number of B movies. Sheldon enlisted in the military during World War II as a pilot in the War Training Service, a branch of the Army Air Corps, His unit was disbanded before he saw any action. Returning to civilian life, he moved to New York City where he began writing musicals for the Broadway stage while continuing to write screenplays for both MGM Studios and Paramount Pictures. He earned a reputation as a prolific writer; for example, at one time he had three musicals on Broadway: a rewritten The Merry Widow, Jackpot, and Dream with Music. His success on Broadway brought him back to Hollywood where his first assignment was The Bachelor and the Bobby-Soxer, which earned him the Academy Award for Best Original Screenplay of 1947.
When television became the new popular medium, he decided to try his hand in it. "I suppose I needed money," he remembered. "I met Patty Duke one day at lunch. So I produced The Patty Duke Show, and I did something nobody else in TV ever did. For seven years, I wrote almost every single episode of the series."
Sheldon created, produced and wrote I Dream of Jeannie in his co-production capacity with Screen Gems. He wrote all but two dozen scripts in five years, sometimes using three pseudonyms (Mark Rowane, Allan Devon, Christopher Golato) while simultaneously writing scripts for The Patty Duke Show. He also used the same pseudonyms in writing all seventeen episodes of Nancy. He later admitted that he did this because he felt his name was appearing too often in the credits as creator, producer, copyright owner and writer of these series. He also wrote for the series Hart to Hart.
Production for I Dream of Jeannie ended in 1970 after five seasons. It was "During the last year of I Dream of Jeannie, I decided to try a novel," he said in 1982. "Each morning from 9 until noon, I had a secretary at the studio take all calls. I mean every single call. I wrote each morning — or rather, dictated — and then I faced the TV business."
In 1969, Sheldon wrote his first novel, The Naked Face, which earned him a nomination for the Edgar Allan Poe Award from the Mystery Writers of America in the category of Best First Novel. His next novel, The Other Side of Midnight, climbed to #1 on The New York Times Best Seller list as did several ensuing novels, a number of which were also made into motion pictures or TV miniseries. His novels often featured determined women who persevere in a tough world run by hostile men. The novels contained a lot of suspense and devices to keep the reader turning the page:
| “ | I try to write my books so the reader can't put them down," he explained in a 1982 interview. "I try to construct them so when the reader gets to the end of it, he or she has to read just one more chapter. It's the technique of the old Saturday afternoon serial: leave the guy hanging on the edge of the cliff at the end of the chapter. | ” |
Most of his readers were women. Asked why this was the case he said: "I like to write about women who are talented and capable, but most important, retain their femininity. Women have tremendous power — their femininity, because men can't do without it." Books were Sheldon's favorite medium. "I love writing books," he commented. "Movies are a collaborative medium, and everyone is second-guessing you. When you do a novel you're on your own. It's a freedom that doesn't exist in any other medium."
Read more about this topic: Sidney Sheldon
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)