Reception
The musical received mixed to positive reviews from critics. Ben Brantley wrote in The New York Times: "'Shrek,' for the record, is not bad.... As the title character, a misanthropic green ogre who learns to love, the talented Mr. James is... encumbered with padding and prosthetics.... As the evil, psychologically maimed Lord Farquaad, the very droll Christopher Sieber is required to walk on his knees, with tiny fake legs dangling before him — an initially funny sight gag that soon drags". He praises Sutton Foster as "an inspired, take-charge musical comedian.... Ms. Foster manages both to make fun of and exult in classical musical-comedy moves while creating a real, full character at the same time."
Variety noted that the production had a reported budget of $24 million. Any "theme-park cutesiness is offset by the mischievous humor in David Lindsay-Abaire's book and lyrics. The production's real achievement, however, is that the busy visuals and gargantuan set-pieces never overwhelm the personalities of the actors or their characters. The ensemble is talented and the four leads, in particular, couldn't be better."
The Associated Press said that "the folks at DreamWorks have done their darndest to make sure we are entertained at "Shrek the Musical," the company's lavish stage adaptation of its hit animated movie. For much of the time, they succeed, thanks to the talent and ingratiating appeal of the show's four principal performers. The show's massive sets and colorful costumes (both courtesy of Tim Hatley) are so visually eye-catching that they often distract from what's going on with the story and score. Composer Jeanine Tesori has written attractive, eclectic, pop-flavored melodies that range from a jaunty Travel Song to a gutsy duet called I Got You Beat for Shrek and Fiona that revels in rude noises." The review also noted that Lindsay-Abaire's lyrics are often fun and quite witty.
USA Today gave the show three and ½ out of four stars, writing: "Shrek, which draws from William Steig's book about a lovable ogre and the DreamWorks animated movie that it inspired, is nonetheless a triumph of comic imagination with a heart as big and warm as Santa's. It is the most ingeniously wacky, transcendently tasteless Broadway musical since The Producers, and more family-friendly than that gag-fest." The review also noted, however, that "Like other musical adaptations of hit films, Shrek... leans heavily on winking satire. There are the usual nods to more fully realized shows, from Gypsy to A Chorus Line, and Jeanine Tesori's blandly ingratiating score doesn't feature any songs you're likely to be humming 20 years from now."
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