Show Boat (1936 Film) - Reception

Reception

The 1936 version of Show Boat is considered by many film critics to be one of the classic film musicals of all time, and one of the best stage-to-film adaptations ever made. Frank S. Nugent of the New York Times called it "one of the finest musical films we have seen".

Ten numbers from the stage score are actually sung, with four others heard only as background music, and a tiny, almost unrecognizable fragment of the song "I Might Fall Back on You" is heard instrumentally at the beginning of the New Year's Eve sequence. Except for three new dialogue scenes, the final ten minutes of the film, and the three additional songs written for the movie by Kern and Hammerstein, the 1936 Show Boat follows the stage musical extremely closely, unlike the 1929 film and the 1951 version released by MGM. It is so faithful that even several instrumental pieces not by Kern which are regularly included as part of the show's score are retained in the film. The film also retains much of the comedy in the show.

In 1996, this version of Show Boat was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Read more about this topic:  Show Boat (1936 Film)

Famous quotes containing the word reception:

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)