Show Boat (1936 Film) - Plot

Plot

The musical's story spans about forty years, from the late 1880's to the late 1920's. Magnolia Hawks is an eighteen-year-old on her family's show boat, the Cotton Palace (renamed from the stage original's Cotton Blossom) which travels the Mississippi River putting on shows. She meets Gaylord Ravenal, a charming gambler, falls in love with him, and eventually marries him. Together with their baby daughter, the couple leaves the boat and moves to Chicago, where they live off Gaylord's gambling winnings. After about ten years, he experiences an especially bad losing streak and leaves Magnolia, out of a sense of guilt that he is ruining her life because of his losses. Magnolia is forced to bring up her young daughter alone, but is reunited with the repentant Ravenal after twenty-three years. In a parallel plot, Julie LaVerne (the show boat's leading actress, who is part African-American, but "passing" as white) is forced to leave the boat because of her background, taking Steve Baker (her white husband, to whom, under the state's law, she is illegally married) with her. Julie is eventually also abandoned by her husband, and she consequently becomes an alcoholic, from which she presumably never recovers. Her husband, Steve, also presumably never returns to her. But Julie, who was Magnolia's best friend during their days on the show boat, secretly enables her to become a success on the stage in Chicago after Ravenal has abandoned Magnolia. In the film's most significant change from the show, Magnolia and Ravenal are reunited at the theatre in which Kim, their daughter, is appearing in her first Broadway starring role, rather than back on the show boat, as in the stage production and the other film versions. The final sequence, however, does retain reprises of the songs "You Are Love" and "Ol' Man River".

Read more about this topic:  Show Boat (1936 Film)

Famous quotes containing the word plot:

    Ends in themselves, my letters plot no change;
    They carry nothing dutiable; they won’t
    Aspire, astound, establish or estrange.
    Philip Larkin (1922–1986)

    If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.
    John Ashbery (b. 1927)

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)