Popular and Southern Culture
The shotgun house plays a role in the folklore and culture of the south. Superstition holds that ghosts and spirits are attracted to shotgun houses because they may pass straight through them, and that some houses were built with doors intentionally misaligned to deter these spirits. They also often serve as a convenient symbol of life in the south. Elvis Presley was born in a shotgun house, Aaron Neville of The Neville Brothers grew up in one, and according to blues man David Honeyboy Edwards, Robert Johnson died in one. Shortly before his death in May 1997, Jeff Buckley rented a shotgun house in Memphis and was so enamoured with it he contacted the owner about the possibility of buying it. Dream Brother, David Browne's biography on Jeff and Tim Buckley, opens with a description of this shotgun house and Jeff's fondness of it.
One of the more widely known references to a shotgun house was in the 1980 Talking Heads song "Once In A Lifetime". The first line of the song is "And you may find yourself living in a shotgun shack".
The John Mellencamp song "Pink Houses" was inspired when he was driving along an overpass on the way home to Bloomington, Indiana from the Indianapolis airport. There was an old black man sitting outside his little pink shotgun house with his cat in his arms, completely unperturbed by the traffic speeding along the highway in his front yard. “He waved, and I waved back,” Mellencamp said in an interview with Rolling Stone. “That's how 'Pink Houses' started.”. In Bruce Springsteen's song "We Take Care of Our Own", from the album Wrecking Ball, he refers to shotgun houses, singing "We take care of our own, from the shotgun shack to the Super Dome".
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Famous quotes containing the words popular, southern and/or culture:
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“I sometimes wonder that we can be so frivolous ... as to attend to the gross but somewhat foreign form of servitude called Negro Slavery, there are so many keen and subtle masters that enslave both north and south. It is hard to have a southern overseer; it is worse to have a northern one; but worst of all when you are the slave-driver of yourself.”
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“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)