Works
After meeting Africans in Paris while studying at the Sorbonne in 1926, Graham composed the musical score and libretto of Tom Tom: An Epic of Music and the Negro (1932), an opera. She used music, dance and the book to express the story of Africans' journey to the North American colonies, through slavery and to freedom. It premiered in Cleveland, Ohio. The opera attracted 10,000 people to its premier at the Cleveland Stadium and 15,000 to the second performance.
According to the Oxford Companion to African-American Literature, her theatre works included Deep Rivers (1939), a musical; It's Morning (1940), a one-act tragedy about a slave mother who contemplates infanticide; I Gotta Home (1940), a one-act drama; Track Thirteen (1940), a comedy for radio and her only published play; Elijah's Raven (1941), a three-act comedy; and Dust to Earth (1941), a three-act tragedy.
Because of the difficulty in getting musicals or plays produced and published, Graham turned to literature. She wrote in a variety of genres, specializing from the 1950s in biographies of leading African-American and world figures for young readers. She wanted to increase the number of books available for students in elementary school that dealt with notable African Americans. Because of her personal knowledge of her subjects, her books on Paul Robeson and Kwame Nkrumah are considered especially interesting. Other subjects included Frederick Douglas, Phylis Wheatley, and Booker T. Washington; as well as Gamal Abdul Nasser, and Julius Nyerere.
Her late novel Zulu Heart (1974) included sympathetic portrayals of whites in South Africa during a time of conflict with Africans.
Selections from her correspondence with her husband (both before and after their relationship began) appear in the three volume collection edited by Herbert Aptheker, Correspondence of W.E.B. Du Bois (1976). Graham Du Bois is the subject of the biography, Race Woman: The Lives of Shirley Graham Du Bois (2000), by Gerald Horne.
Read more about this topic: Shirley Graham Du Bois
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“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (1817–1862)