Reception
Shinji ranked 25th on IGN's top 25 anime characters list. Editor Chris Mackenzie commented that the IGN staff loved him "not for what he is, but for what he could be". In a Newtype poll from March 2010, Shinji was voted as the most popular male character from the 1990s. The 20th Animage Grand Prix ranked him the best male character of the year. Pete Harcoff, a reviewer for Anime Critic, gave a positive review of Neon Genesis Evangelion yet maintained a negative view of Shinji's character, stating that Shinji was ineffective and disappointing to watch. Shinji's role in the Rebuild of Evangelion films got a better response as he was noted to be friendlier with other characters in contrast to his role in the TV series. Theron Martin from Anime News Network listed the scene from Evangelion: 2.22 You Can (Not) Advance in which Shinji save Rei as the "Best Scene" in the site's feature "The Best (and Most Notable) of 2011." Martin praised Shinji's determination in such scene as "this is the first time in the entire franchise that he whole-heartedly goes after something because he wants it, rather than because he's expected to or has no choice."
Spike Spencer, Shinji's English voice actor has received praise for his role, particularly for his performance in The End of Evangelion. Mike Crandol of Anime News Network praised the subtle nuances that Spencer brought to the role, as he felt that Spencer had improved over his previous performances where he tended to parody Shinji's inner turmoil. Pete Harcoff, while critical of Shinji's character, also complimented Spencer, stating that he delivered a solid performance as Shinji.
Read more about this topic: Shinji Ikari
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybodys face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (16671745)
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“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)