Okinawan Influence
Miyazawa first heard Okinawan-influenced music from Haruomi Hosono in the 1970s. Later, he asked friends to bring him tapes from the island, as Okinawan music was not readily available in Japan. Miyazawa said in the 2003 interview,
| “ | There are two types of melody in the song Shima Uta, one from Okinawa and the other from Yamato (Japan). I wanted to tell the truth that Okinawa had been sacrificed for the rest of Japan, and Japan had to take responsibility for that. Actually, I wasn't sure that I had the right to sing a song with such a delicate topic, as I'm Japanese, and no Okinawan musicians had done that. Although Hosono started to embrace Okinawan music into his own music early on, it was in a different way to what I was trying to do. Then I asked Shokichi Kina what he thought I should do about Shima Uta and he said that I should sing it. He told me that Okinawan people are trying to break down the wall between them and Yamato (mainland) Japanese, so he told me I should do the same and encouraged me to release Shima Uta. | ” |
Miyazawa plays the sanshin, the Okinawan precursor to the shamisen, when singing Shima Uta in concert.
Read more about this topic: Shima Uta
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