Architecture and Design
The choice of Portland Stone cladding, and bronze framed individual upright windows were denounced by Modern Movement critics, and the Centre's buildings have generally been regarded as dull. However, the extremely traditional cladding has meant that the buildings have weathered better than most of their contemporaries with concrete or aggregate-faced façades or curtain-wall glazing.
The original interiors were luxuriously appointed, and as well as contributions from a British design team (many of whom had worked on the Festival of Britain), they included work by Ernesto Nathan Rogers who had worked on the Torre Velasca in Milan. Facilities for staff were lavish by the standards of the time, and the basement of the building was designed with a full size swimming pool and a spacious gymnasium. The basement also originally housed a rifle range, snooker room, a small supermarket for staff and a host of other facilities. Until 1998 there was also a fully equipped theatre (designed by Cecil Beaton) which – unusually for a space dedicated to amateur productions – had full fly tower facilities. The courtyard of the Upstream Building includes two notable sculptures: "Torsion Fountain" (also known as The Shell Fountain) by Franta Belsky is a tall bronze column of shell-like forms, which once poured water into one another; and "Motorcyclist" by Siegfried Charoux – a larger than life figure of a rider astride his machine.
The public realm of the Upstream Building has been steadily degraded over the years, with the generous space between the columns of the entrance from York Road enclosed to enlarge the foyers. Textured paving in contrasting colours was installed to assist partially sighted pedestrians navigate the complex steps and ramps of the site, but also served to deter rough sleepers and skateboarders.
Read more about this topic: Shell Centre
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—Horace Walpole (1717–1797)
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—William Carlos Williams (1883–1963)