Sheila Kaye-Smith - Works

Works

  • The Tramping Methodist (1908)
  • Spell Land: The Story of a Sussex Farm (1910)
  • Samuel Richardson (1911)
  • Isle of Thorns (1913)
  • Willow's Forge and other poems (1914)
  • Three against the World (1914)
  • Sussex Gorse (1916)
  • John Galsworthy (1916) biography
  • The Challenge to Sirius (1917)
  • Little England (1918)
  • Tamarisk Town (1919)
  • Green Apple Harvest (1920)
  • Joanna Godden (1921)
  • Saints in Sussex (1923) poems
  • The End of the House of Alard (1923)
  • Starbrace (1923)
  • Anglo-Catholicism (1925)
  • The George and the Crown (1925)
  • The Mirror of the Months (1925)
  • Joanna Godden Married and other Stories (1926)
  • Iron and Smoke (1928)
  • A Wedding Morn (1928)
  • The Village Doctor (1929)
  • Shepherds in Sackcloth (1930)
  • Songs Late and Early (1931) poems
  • Susan Spray (1931)
  • The Children's Summer (1932)
  • The Ploughman's Progress (1933)
  • Superstition Corner (1934)
  • Gallybird (1934)
  • Selina is Older (1935)
  • Rose Deeprose (1936)
  • Three Ways Home (1937) autobiography
  • Faithful Stranger and Other Stories (1938) short stories
  • The Valiant Woman (1939)
  • Ember Lane (1940)
  • Tambourine, Trumpet and Drum (1943)
  • Talking of Jane Austen (1943) with G. B. Stern
  • Kitchen Fugue (1945)
  • The Lardners and the Laurelwoods (1948)
  • The Happy Tree (1949)
  • The Treasures of the Snow (1949)
  • More Talk of Jane Austen (1950) with G. B. Stern
  • Mrs. Gailey (1951)
  • The Hidden Son (1953)
  • The Weald of Kent and Sussex (1953) topography
  • Quartet in Heaven (1953) religious biography
  • The View from the Parsonage (1954)
  • All the Books of My Life (1956) autobiography

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Famous quotes containing the word works:

    And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.
    Ron Taffel (20th century)

    Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
    Raymond Williams (1921–1988)

    The works of women are symbolical.
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    The worth of our work, perhaps.
    Elizabeth Barrett Browning (1806–1861)