Youth
Born in Memphis, Tennessee, Lane began playing piano with his sisters at the age of eight, but did not play guitar seriously until he was ten. At age 12-13 he began to practice heavily. At fourteen, he became the lead guitarist for Black Oak Arkansas (BOA), alongside members including drummer Tommy Aldridge toured over the next four years opening shows for bands including REO Speedwagon, Ted Nugent, Outlaws (band), Cheap Trick, and Blue Öyster Cult. During 1979 Lane played in The Streets and recorded studio demos with Andy Tanas on bass, Chris Craig on drums and Jimmy Henderson on guitar.
At age fifteen Lane saw Allan Holdsworth play guitar with the progressive band U.K., which inspired him to develop his own style of playing guitar. Lane also played in Savage Innocence with singer Jim "Dandy" Mangrum, guitarist Keith Plunk, keyboardist Billy Batte, drummer Chris Craig and bassist Kinley Wolfe who then played with The Cult. As the original members dropped out, Lane replaced them with players from his high school days. Lane began to play a style close to jazz fusion. During the 1980s and early 1990s, Lane played in The Willys, a band consisting of singer/bassist Rob Caudill, keyboardist Sam Bryant and drummer Russ Caudill. Lane also performed in the fusion band Out of Bounds with Barry Bays and DeGarmo and Key drummer Chuck Reynolds.
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Famous quotes containing the word youth:
“Care keeps his watch in every old man’s eye,
And where care lodges, sleep will never lie;
But where unbruisèd youth with unstuffed brain
Doth couch his limbs, there golden sleep doth reign.”
—William Shakespeare (1564–1616)
“The great difficulty is first to win a reputation; the next to keep it while you live; and the next to preserve it after you die, when affection and interest are over, and nothing but sterling excellence can preserve your name. Never suffer youth to be an excuse for inadequacy, nor age and fame to be an excuse for indolence.”
—Benjamin Haydon (1786–1846)
“my youth i shall never forget
but there s nothing i really regret
wotthehell wotthehell
there s a dance in the old dame yet
toujours gai toujours gai”
—Don Marquis (1878–1937)