Adulthood and Piano
From age eighteen to twenty six, Lane studied music, composed music, and played piano. In 1983 he became a father to a daughter named Ashley, his only child. Much of the material on Lane's first studio album, Powers of Ten, was written on his home piano. He quickly developed his technique on the keyboard as well, taking influence from pianists such as Franz Liszt, Art Tatum and Georges Cziffra.
His demo tapes led Shawn to be sought out by Jim Ed Norman and a recording contract with Warner Bros. Records. Except for one cover song, Lane wrote all the material and played all the instruments on his debut album. The album sold well and earned several magazine awards. Following its release in 1992, Guitar Player magazine named him "Best New Talent" and Keyboard Magazine placed him second in the "Best Keyboard Player" category. During the production of the album Lane continued to play live shows and do session work. On 19 September 1992 Lane played in Guitar Player Magazine's 25th anniversary concert at Warfield Theatre, San Francisco alongside Steve Morse, John Lee Hooker, Dick Dale, Jeff "Skunk" Baxter, Adrian Belew, Ry Cooder and others. He also performed on the Mark Varney Project's Centrifugal Funk album along with Brett Garsed and Frank Gambale. To promote the album, he formed The Powers of Ten band with Barry Bays on bass, keyboardist Doug Scarborough, Todd Bobo on saxophone and drummer Sean Rickman; they opened for Robben Ford's US tour.
Lane released two more solo albums following his debut, Powers of Ten; Live!, recorded live in 1993, and The Tri-Tone Fascination in 1999.
Read more about this topic: Shawn Lane
Famous quotes containing the words adulthood and/or piano:
“During our twenties...we act toward the new adulthood the way sociologists tell us new waves of immigrants acted on becoming Americans: we adopt the host culture’s values in an exaggerated and rigid fashion until we can rethink them and make them our own. Our idea of what adults are and what we’re supposed to be is composed of outdated childhood concepts brought forward.”
—Roger Gould (20th century)
“It is not always possible to predict the response of a doting Jewish mother. Witness the occasion on which the late piano virtuoso Oscar Levant telephoned his mother with some important news. He had proposed to his beloved and been accepted. Replied Mother Levant: “Good, Oscar, I’m happy to hear it. But did you practice today?””
—Liz Smith (20th century)