Shashi Tharoor - Personal Life

Personal Life

A theatre buff and successful actor in his school days, he played Antony to Mira Nair’s Cleopatra in a 1974 production of Antony and Cleopatra. At St. Stephen’s in the early 1970s he founded the Quiz Club, which is still in existence; he also revived the Wodehouse Society, which is no longer in existence. Upon election as President of the College Union he relinquished the Secretaryship of the History Society as well as the editorship of the campus humour magazine “Kooler Talk.” He was invited by St. Stephen’s College to deliver the college’s 125th Anniversary Jubilee Lecture in 2005.

He has been an elected Fellow of the New York Institute for the Humanities and a member of the Advisory Board of the Indo-American Arts Council and also served on the Board of Directors of Breakthrough, an international human rights organization, the Board of Overseers of the Fletcher School of Law and Diplomacy, the Board of Trustees of the Aspen Institute, and as an International Adviser to the International Committee of the Red Cross. He also supported various educational causes, including as Patron of the Modern High School in Dubai.

At the Fletcher School of Law and Diplomacy in 1976, he founded and was the first chair of the editorial board of the Fletcher Forum of International Affairs, a journal examining issues in international relations.

Tharoor's first wife was Tilottama Mukherji, an academic from Kolkata. Later he was married to Christa, a Canadian working at the United Nations. After their divorce, Tharoor married Sunanda Pushkar in his ancestral home in Elavanchery village in Kerala's Palakkad district on 22 August 2010.

Read more about this topic:  Shashi Tharoor

Famous quotes containing the words personal and/or life:

    I would rather have as my patron a host of anonymous citizens digging into their own pockets for the price of a book or a magazine than a small body of enlightened and responsible men administering public funds. I would rather chance my personal vision of truth striking home here and there in the chaos of publication that exists than attempt to filter it through a few sets of official, honorably public-spirited scruples.
    John Updike (b. 1932)

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)