Critical Reception
| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | 65/100 |
| Review scores | |
| Source | Rating |
| AllMusic | |
| The Music Box | |
| MusicTap | |
| Rolling Stone | |
Shangri-La received generally favorable reviews. In his review for AllMusic, James Christopher Monger gave the album three and a half out of five stars, noting that on this album, Knopfler abandoned the British folk and Celtic-influenced pop that populated his earlier solo albums and chose instead a "full-blown yet quiet and considerate collection of country-folk ballads and bluesy, midtempo dirges that revel in their uncharacteristic sparseness." Instead of writing about his brush with mortality—the wry "Don't Crash the Ambulance" aside—Knopfler uses his "warm baritone and effortless guitar work" to explore everything from the plight of the modern fisherman (on the beautiful and rustic "Trawlerman's Song"), to the entrepreneurial skills of McDonald's founder Ray Kroc (on "Boom, Like That"). Monger concludes:
Knopfler spent seven months away from the guitar in physiotherapy, but his melancholic slow-burn tone is as peat-smoked as ever, and his penchant for wrapping Americana-gothic folk around subjects that are uniquely English—colliers, cockneys, the one-armed bandit man who meets his maker in the atmospheric opener, "5:15 A.M."—is evident throughout. Dynamically, Shangri-La loses steam about three-quarters of the way through ... but Knopfler fans and lovers of Chet Atkins, Gordon Lightfoot, and J.J. Cale, as well as late-night poker players and early risers with an acerbic streak, will find much to love here.In his review for The Music Box, John Metzger gave the album an "excellent" four out of five stars, writing that Knopfler has rarely sounded so relaxed and his arrangements so unassuming. Metzger continued:
His performance throughout the collection is impeccable, and beneath his subdued, folk-pop musings rests the loveliest batch of songs that he’s recorded since Love Over Gold. For the most part, the tunes on Shangri-La unfold slowly, blowing past like whispers in the wind ... The problem, then, is that ... Knopfler's many muted statements begin to blur together, and one becomes lost within his deep baritone as well as his sparse, ethereal accompaniments.In his review for MusicTap, George Bennett gave the album four out of five stars, calling Knopfler's Shangri-La the "best album of his solo career". Bennett writes that Knopfler has produced "the most melodic, tasteful, laid-back yet wholly engrossing tunes" of his solo career. Bennett concluded that Shangri-La contains the best music and lyrics of Knopfler's solo career—the first album to "stand up solidly to anything Dire Straits did."
Read more about this topic: Shangri-La (Mark Knopfler Album)
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