Film & Television Credits
Year | Film / Television Show | Notes |
---|---|---|
1991 | Sundown: The Future of Children and Drugs | Director/Producer/Writer/Narrator/Music Supervisor |
1993–1994 | NYPD Blue | Writer/Director Apprentice |
1995–1996 | New York Undercover | Writer |
1997 | Breakdown | Production Rewrite |
1998 | Armageddon | Adaptation (Shared with Tony Gilroy) |
2000 | Shaft | Screenplay/Story By |
2001–2002 | UC: Undercover | Director/Executive Producer/Head Writer/Showrunner/Music Supervisor |
2004 | Alien vs. Predator | Production Rewrite |
2007 | Ghost Rider | Contributing Writer |
Aliens vs Predator: Requiem | Screenplay | |
2010–Present | Hawaii Five-0 | Writer/Consulting Producer |
2012 | Savages | Screenplay/Executive Producer |
2013 | Salinger | Director/Producer/Writer |
Satori | Screenplay/Executive Producer | |
2014 | Untitled Shane Salerno/Kurtzman-Orci Project | Written By/Executive Producer |
Fantastic Voyage | Screenplay | |
Frankie Machine | Screenplay/Producer | |
Untitled Chuck Hogan/Don Winslow Crime Drama | Producer |
Read more about this topic: Shane Salerno
Famous quotes containing the words film and/or television:
“The womans world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasnt there something reassuring about it!that human beings were in fact merely images of a kind registered in one anothers eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atomsnothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)