Shamanic Music - References

References

Fremont E.Besmer, Horses, Musicians and Gods: The Hausa Cult of Possession-Trance. Ahmadu Bello UP 1983

Antonello Colimberti (ed) (in Italian) Musiche e sciamani, Textus, Milan 2000

Shamanism, The Spirit World of Korea, eds Chai-shin Yu and R.Guisso, Asian Humanities Press, Berkeley California 1988

Vilmos Diószegi, Tracing Shamans in Siberia Anthropological Publications, Netherlands 1968.

Roberte Hamayon, (in French) Pour en finir avec la 'trance' et 'l'extase' dans l'étude du chamanisme, in Etudes mongoles et sibériennes 26: Variations Chamaniques 2, 1995.

Roberte Hamayon, (in French) Gestes et Sons, Chamane et Barde, in Chamanisme et Possession, Cahiers de Musiques Traditionelles 19, Ateliers d'Ethnomusicologie, Genève, 2006

Mireille Helffer (in French)Traditions musicales dans un monastère du Bouddhisme Tibétain in L'Homme 171-2, Paris 2004

Tim Hodgkinson, Musicians, Carvers, Shamans, Cambridge Anthropology vol 25, no 3, (2005/2006)

Tim Hodgkinson, Siberian shamanism and improvised music, Contemporary Music Review vol 14, parts 1-2, Netherlands, Harwood,1996.

Mihály Hoppál, Tracing Shamanism in Tuva: A History of Studies, in Mongush Kenin Lopsan Shamanic Songs and Myths of Tuva, Istor Budapest 1997

Mihály Hoppál, Studies on Eurasian Shamanism in Shamans and Cultures in Mihály Hoppál and Keith Howard eds pp258–288 Istor Budapest 1993

Keith Howard, Sonic Transformations of Shamanic Representations in AHRP Research Centre Newsletter 4, SOAS 2004.

Keith Howard, Perspectives on Korean Music: Preserving Korean Music: Intangible Cultural Properties as Icons of Identity v. 1 (SOAS Musicology Series) 2006

Caroline Humphrey, Shamans and elders. Oxford, OUP1996.

Ronald Hutton, The Shamans of Siberia, Isle of Avalon Press, 1993

Margaret J. Kartomi, On concepts and classifications of musical instrumentsUniversity of Chicago Press, 1990 ISBN 978-0-226-42549-8

Henri Lecomte,(in French) Approches Autochtones du Chamanisme Sibérien au début du XXI Siècle, in Chamanisme et Possession, Cahiers de Musiques Traditionelles 19, Ateliers d'Ethnomusicologie, Genève, 2006

Theodore Levin, Where Rivers and Mountains Sing, Indiana University Press 2006.

Mongush Kenin Lopsan, Shamanic Songs and Myths of Tuva Istor Budapest 1997

Terence McKenna, The Archaic revival Harper Collins 1991

Rodney Needham, Percussion and Transition, Man 2:606-14. 1967

Walter Ong, Orality and Literacy: The technologizing of the word, Methuen, 1982

Carole Pegg, Mongolian Music, Dance and Oral Narrative, University of Washington Press, 2001.

Tina Ramnarine, Acoustemology, Indigeneity & Joik, Ethnomusicology vol 53, no 2, spring/summer 2009

Gilbert Rouget, Music and Trance, University of Chicago Press 1985

Massimo Ruggero, (in Italian) La musica sciamanica, Xenia 2004

Maria Kongin Seo, Hanyang Kut: Korean Shaman Ritual Music from Seoul, Routledge 2002

Andrew Stiller, Handbook of Instrumentation, University of California Press, 1985, ISBN 0-520-04423-1

Anna Szemere Up From the Underground - The Culture of Rock Music in Postsocialist Hungary Penn State Press 2001

Michael Taussig, The Nervous System, Routledge 1992

Sevyan Vainshtein, The Tuvan Shaman's Drum and the ceremony of its Enlivening, in V.Dioszegi (ed), Popular Beliefs and Folklore in Siberia, Bloomington 1968

Aimar Ventsel, Sakha Pop Music http://www.princeton.edu/~restudy/soyuz_papers/Ventsel.pdf

Marilyn Walker, Music as Knowledge in Shamanism and Other Healing Traditions of Siberia, in Arctic Anthropology.2003; 40(2): p40-48

Damian Walter, The Medium of the Message: Shamanism as Localised Practice in the Nepal Himalayas in The Archaeology of Shamanism, ed Neil Price, Routledge 2001

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