Shadow marks are a form of archaeological feature visible from the air. Unlike cropmarks, frost marks and soil marks they require upstanding features to work and are therefore more commonly seen in the context of extant sites rather than previously undiscovered buried ones.
They are caused by the differences in height on the ground produced by archaeological remains. In the case of ancient, eroded earthworks these differences are often small and they are most apparent when viewed from the air, when the sun is low in the sky. This causes long shadows to be cast by the higher features, which are illuminated from one side by the sun, with dark shadows marking hollows and depressions.
Shadow marks are best viewed obliquely rather than from directly above in order to emphasise the effect of the shadows.
Famous quotes containing the words shadow and/or marks:
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)